The dividing line between fine art and craft has been unraveling for decades. Once closely guarded by art historians, curators, and critics—who, as the scholar Terry Smith once put it, typically dismissed craft as “intimately associated with the hand, touch,” while associating art with headier pursuits like “ideas, suggestions, concepts”—the boundaries separating painting, ceramics, weaving, drawing, glassblowing, printmaking, and other processes and practices are now porous if not completely antiquated read more